When Harry Met Sally... currently dominates Bridget Jones: Mad About the Boy 83–17
The romcom gold standard routs the franchise revival.
The Verdict Decades Apart
This matchup has 18 votes. The picture may shift as more people weigh in.
The New Year's Eve confession — Crystal running through Manhattan, arriving breathless, 'I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible' — is the romcom genre's defining declaration. Morris's Bridget Jones sequel has Zellweger's warmth and the franchise's accumulated goodwill. Both are romcoms serving audiences who want to believe in love stories. The gap says the genre's defining moment outperforms its franchise continuation. The declaration that set the template wins over the return that follows it.
The Numbers
| When Harry Met Sally... | Bridget Jones: Mad About the Boy | |
|---|---|---|
| Head-to-Head | 83% | 17% |
| Overall Win Rate | 51% | 42% |
| Championships | 28 | 6 |
| Budget | $16M | $50M |
| Return | 5.8x | 2.8x |
Where This Matchup Sits
Elsewhere on the platform, 10 Things I Hate About You reveals where they differ: When Harry Met Sally... wins that matchup easily, while Bridget Jones: Mad About the Boy struggles with it.
When Harry Met Sally... with 28 titles and Bridget Jones: Mad About the Boy with 6 — the tournament record and the head-to-head point the same direction.
Across 36 years, raw box office numbers don't compare fairly. On return-on-budget, When Harry Met Sally... earned 5.8x while Bridget Jones: Mad About the Boy returned 2.8x. When Harry Met Sally... also takes the head-to-head on BingeBracket.
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