The Notebook currently beats WALL·E 63–38
The rain-soaked romance outperforms Pixar's robot — human passion leads.
The Verdict Genre Clash
This matchup has 16 votes — still early. The picture may shift as more people weigh in.
The rain kiss — Gosling and McAdams soaked, shouting, the years of separation collapsing in a single physical moment that Cassavetes holds long enough for the audience to feel the relief as much as the characters do — is romantic cinema at its most uninhibited. WALL·E's romance is the more formally innovative achievement: a love story told without dialogue between two machines. But uninhibited human passion generates a response that animated devotion, however precisely rendered, can't fully replicate. The lead says the body in the rain outperforms the robot holding the hand. Physical passion wins over mechanical patience.
The Numbers
| WALL·E | The Notebook | |
|---|---|---|
| Head-to-Head | 38% | 63% |
| Overall Win Rate | 41% | 52% |
| Championships | 11 | 9 |
| Budget | $180M | $29M |
| Box Office | $521M | $116M |
Where This Matchup Sits
BingeBracket has 41 films from the 2000s. Both land somewhere in the middle.
When facing other films on the platform, The Notebook handles Titanic without much trouble — but WALL·E doesn't. That shared opponent is one of the clearest places where these two films diverge.
Both films have real tournament credentials: WALL·E with 11 titles and The Notebook with 9. The championship pedigree is closer than the head-to-head suggests.
WALL·E grossed $521M to The Notebook's $116M. The box office said one thing; bracket voters say another.
Where to Watch
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