Evangelion: 3.0+1.0 Thrice Upon a Time currently dominates KPop Demon Hunters 75–25
Anno's four-film reckoning overwhelms the genre mashup.
The Verdict
Hideaki Anno spent twenty-six years rebuilding Evangelion — the original series, the Rebuild films, the delays that became part of the mythology — and Thrice Upon a Time closes that arc with a finality that carries the weight of a director reconciling with his own depression on screen. The instrumentality sequence isn't just spectacle; it's Anno dismantling the franchise's visual grammar and reassembling it as a statement about choosing to live in an imperfect world. Appelhans and Kang's KPop Demon Hunters fuses idol culture and horror with playful genre confidence. The gap reflects the distance between a film that closes a quarter-century of personal mythology and one that opens a new genre premise.
The Numbers
| Evangelion: 3.0+1.0 Thrice Upon a Time | KPop Demon Hunters | |
|---|---|---|
| Head-to-Head | 75% | 25% |
| Overall Win Rate | 65% | 44% |
| Championships | 13 | 3 |
| Avg Decision | 0.9s | 1.7s |
| Budget | $30M | $100M |
| Box Office | $94M | $25M |
Where This Matchup Sits
In the 2020s on BingeBracket: Evangelion: 3.0+1.0 Thrice Upon a Time near the top at #3 and KPop Demon Hunters is in the lower half, out of 43 films.
Evangelion: 3.0+1.0 Thrice Upon a Time with 13 titles and KPop Demon Hunters with 3 — the tournament record and the head-to-head point the same direction.
Choosing Evangelion: 3.0+1.0 Thrice Upon a Time takes 0.9s on average. Choosing KPop Demon Hunters takes 2.8s. That gap suggests they're doing different things for their voters.
Where to Watch
Availability may vary by region.
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