Evangelion: 3.0+1.0 Thrice Upon a Time currently dominates KPop Demon Hunters 75–25

Anno's four-film reckoning overwhelms the genre mashup.

75% 25%
Based on 20 head-to-head votes
VS

The Verdict

Hideaki Anno spent twenty-six years rebuilding Evangelion — the original series, the Rebuild films, the delays that became part of the mythology — and Thrice Upon a Time closes that arc with a finality that carries the weight of a director reconciling with his own depression on screen. The instrumentality sequence isn't just spectacle; it's Anno dismantling the franchise's visual grammar and reassembling it as a statement about choosing to live in an imperfect world. Appelhans and Kang's KPop Demon Hunters fuses idol culture and horror with playful genre confidence. The gap reflects the distance between a film that closes a quarter-century of personal mythology and one that opens a new genre premise.

The Numbers

Evangelion: 3.0+1.0 Thrice Upon a Time KPop Demon Hunters
Head-to-Head 75% 25%
Overall Win Rate 65% 44%
Championships 13 3
Avg Decision 0.9s 1.7s
Budget $30M $100M
Box Office $94M $25M

Where This Matchup Sits

In the 2020s on BingeBracket: Evangelion: 3.0+1.0 Thrice Upon a Time near the top at #3 and KPop Demon Hunters is in the lower half, out of 43 films.

Evangelion: 3.0+1.0 Thrice Upon a Time with 13 titles and KPop Demon Hunters with 3 — the tournament record and the head-to-head point the same direction.

Choosing Evangelion: 3.0+1.0 Thrice Upon a Time takes 0.9s on average. Choosing KPop Demon Hunters takes 2.8s. That gap suggests they're doing different things for their voters.