Fight Club currently dominates Gone Girl 80–20
Tyler Durden's anarchy runs away from Amy Dunne's calculation.
The Verdict Director's Cut
This matchup has 10 votes — still early. The picture may shift as more people weigh in.
Fight Club's twist doesn't just recontextualise the film — it recontextualises the audience. You were rooting for Tyler. You were Tyler. That complicity gives the film an emotional payload Gone Girl never attempts. Pike's Amy is brilliant but observed from a distance, a puzzle to solve rather than a trap to fall into. Fincher's earlier film asks you to participate in something destructive and then shows you what that participation means. His later film asks you to watch something destructive and admire the engineering. Participation is more dangerous than observation, and a margin this wide says the danger is what Fincher's audience values most.
The Numbers
| Fight Club | Gone Girl | |
|---|---|---|
| Head-to-Head | 80% | 20% |
| Overall Win Rate | 54% | 46% |
| Championships | 24 | 3 |
| Budget | $63M | $61M |
| Box Office | $101M | $371M |
Where This Matchup Sits
Fight Club is in the top quarter of Drama on BingeBracket; Gone Girl is in the bottom quarter of Mystery. Different categories, but both have standing in theirs.
In David Fincher's filmography on BingeBracket, Fight Club ranks #2 and Gone Girl ranks #6 out of 9.
Looking at shared opponents, Interstellar draws a line between them: Fight Club dominates that matchup, but Gone Girl comes out on the wrong side.
Fight Club with 24 titles and Gone Girl with 3 — the tournament record and the head-to-head point the same direction.
Gone Girl outgrossed Fight Club by a wide margin ($371M to $101M). Voters here see it differently — Fight Club wins when they're placed side by side.
Think Gone Girl deserves better?
You're in the 20%.
Play the bracket these 10 votes came from. Your pick shifts the result.
Where to Watch
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