Gone Girl
46% overall puts Gone Girl near the middle of the pack. The round data tells a sharper story: strong in semis, a different film in finals. Fincher's coldest film and Rosamund Pike's most volcanic performance coexist in a thriller that leaves voters unsettled in a way they can't quite resolve. That lingering discomfort is a competitive advantage — it's hard to forget a film that made you feel implicated. 1.6s per vote suggests strong instincts. Most voters arrive at this matchup already knowing which way they lean.
Synopsis
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
49% in the semis, then 12% in the final. The drop isn't gradual — it's a cliff. Gone Girl looks like a contender right up until the bracket asks it to beat the best.
Gone Girl dominates Panic Room at 67%. Se7en at 14% is the one matchup where that confidence disappears.
In Nolan vs. Fincher, Gone Girl trails The Prestige 60–40% in round one, loses to The Social Network (20%) in the semifinals — reaching the semis but not the final.
In David Fincher's filmography, Gone Girl ranks #6 of 9. Se7en leads at 56%; The Girl with the Dragon Tattoo at 38% trails.
Dead last in Nolan vs. Fincher.
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