Midsommar
Midsommar wins consistently — it's the finals that create the ceiling. At 57% overall, it clears most of the field, but the films that make it to the last round tend to be the ones it can't beat. Aster moved horror into broad daylight and dared the audience to find flowers terrifying. The result is a film that provokes fierce loyalty from voters who felt seen by Florence Pugh's grief and genuine resistance from voters who wanted the genre to stay in the dark. It leads both Ari Aster films tracked on BingeBracket.
Synopsis
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
58%, 67%, 37%. The decline is gradual — Midsommar doesn't collapse so much as run into films that are slightly better when the stakes are highest.
On the other end of the spectrum: Us at 79% is a comfortable win, while The Lighthouse at 22% is the matchup Midsommar can't crack.
Midsommar handles The Witch in the semis but can't get past Hereditary in the final (36%). The tournament nemesis is clear.
Of the 2 Ari Aster films tracked on BingeBracket, Midsommar leads. Hereditary at 53% is the other entry — a 0% gap between them.
#2 of 8 in Modern Masters of Horror.
Think it deserves the gold? Cast your vote now.
#1
#2
#3
#4
#5
#6
#7
#8
BingeBracket ranks films through head-to-head matchups in 8-film brackets — no star ratings, no reviews, just direct comparison. Browse tournaments, try Discovery mode, or explore the leaderboards. You can also .