Get Out currently dominates Nosferatu 69–31
Peele's social thriller leads Eggers' gothic revival — the present edges out the past.
The Verdict
Get Out operates as a closed system: one house, one night, one mechanism of control, every scene tightening the trap. That structural precision gives voters something to hold onto immediately. Eggers' Nosferatu asks for a different kind of attention — the candlelit interiors, the shadow of Orlok ascending the staircase, Lily-Rose Depp's slow possession — all building atmosphere that pays off in accumulation rather than revelation. Both films are formally disciplined, but Peele's discipline serves velocity and Eggers' serves patience. When Get Out leads, velocity is doing some of the work. But only some: Peele's film is also simply more precise about what it wants you to feel and when.
The Numbers
| Get Out | Nosferatu | |
|---|---|---|
| Head-to-Head | 69% | 31% |
| Overall Win Rate | 56% | 32% |
| Championships | 21 | 6 |
| Avg Decision | 3.3s | 4.0s |
| Budget | $5M | $50M |
| Box Office | $255M | $182M |
Where This Matchup Sits
Get Out sits at #5 in Mystery on BingeBracket; Nosferatu struggles in Drama. Different categories, but both have standing in theirs.
Against other opponents on BingeBracket, the picture shifts. Get Out beats The Witch, but Nosferatu loses to it — the same opponent produces opposite results.
The championship record tells the same story: Get Out has 21 tournament wins to Nosferatu's 6. The pedigree gap matches the head-to-head gap.
Relative to what they cost, Get Out (56.8x return) dramatically outperformed Nosferatu (3.6x). On BingeBracket, the commercial momentum carries over — Get Out wins here too.
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