Nosferatu currently dominates Midsommar 73–27
The Gothic reclaims horror from the daylight.
The Verdict
This matchup has 11 votes. The picture may shift as more people weigh in.
Nosferatu dominating Midsommar is genre tradition overwhelming genre interrogation. Eggers trusts horror's oldest tools — candlelight, shadow, Skarsgård's Orlok moving like something that shouldn't exist — and deploys them with period fidelity so total it feels less like homage than resurrection. Aster's daylight commune questions whether horror even needs those tools, replacing shadows with flowers and dread with social discomfort. Both approaches are formally rigorous. But voters at this spread have sided with the director who believed in the genre's foundations over the one who dismantled them.
The Numbers
| Nosferatu | Midsommar | |
|---|---|---|
| Head-to-Head | 73% | 27% |
| Overall Win Rate | 34% | 54% |
| Championships | 16 | 24 |
| Budget | $50M | $9M |
| Box Office | $182M | $48M |
Midsommar has the stronger overall record on BingeBracket at 54% to 34%. Against most opponents, it wins more — just not against Nosferatu.
Where This Matchup Sits
Nosferatu struggles in Drama among 98 on BingeBracket.
Looking at shared opponents, The Lighthouse stands above both of them on the platform. For all their differences, neither film can get past it.
The tournament titles favor Midsommar (24 to 16), which makes the head-to-head result all the more notable. The film with the stronger resume is losing the direct matchup.
Critical reception (Midsommar at 7.2) and bracket instinct (Nosferatu winning head-to-head) are pulling in opposite directions here.
Think Midsommar deserves better?
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Where to Watch
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