A Clockwork Orange currently beats The Shining 56–44
The ultraviolent dystopia edges out the haunted hotel — invented worlds lead inherited ones.
Who do you think should win?
The Verdict Director's Cut
The Ludovico technique — Alex strapped to a chair, eyelids held open, Beethoven's Ninth played over images of violence — is Kubrick staging the destruction of free will as clinical procedure, every element designed to make the audience complicit in the cruelty by forcing them to watch alongside Alex. The Shining's Overlook achieves a different kind of viewer entrapment: the hotel's impossible geography makes you feel lost without knowing why. Both films trap their audiences. The lead says the active trap — the one that forces your eyes open — is more disturbing than the passive one that disorients you. Clockwork makes you look. The Shining makes you wander.
The Numbers
| A Clockwork Orange | The Shining | |
|---|---|---|
| Head-to-Head | 56% | 44% |
| Overall Win Rate | 57% | 51% |
| Championships | 11 | 57 |
| Avg Decision | 3.5s | 3.0s |
| Budget | $2M | $19M |
| Box Office | $27M | $45M |
Where This Matchup Sits
Stanley Kubrick has 7 films on BingeBracket. A Clockwork Orange ranks #2 and The Shining ranks #3.
Elsewhere on BingeBracket, both handle Full Metal Jacket without much difficulty. That shared win gives a sense of the tier this matchup operates at.
Within tournaments, the dynamic shifts as the bracket deepens: The Shining performs better in later rounds while A Clockwork Orange fades when the competition narrows.
The Shining earned $45M at the box office while A Clockwork Orange made $27M. Even so, A Clockwork Orange takes the bracket — commercial performance and voter preference diverge.
Where to Watch
Availability may vary by region.
Want to pit A Clockwork Orange against something else?
Build your own bracket with any films you want.