Get Out currently dominates Us 72–28
The debut's precision demolishes the follow-up's ambition.
Who do you think should win?
The Verdict Director's Cut
Get Out is a single mechanism. The teacup, the deer on the road, "I would have voted for Obama a third time" — every element feeds one metaphor with zero waste. Us reaches for more: doppelgängers, class allegory, a mythology that keeps expanding past what the film can contain. Peele’s ambition grew between films, but ambition and precision are different forces, and the precision is winning by a margin that suggests it’s not even close. The debut knew exactly what it was. The follow-up is still deciding. In a format that rewards the film you can articulate a case for, the film with one clear idea will always outrun the film with three interesting ones.
The Numbers
| Get Out | Us | |
|---|---|---|
| Head-to-Head | 72% | 28% |
| Overall Win Rate | 59% | 34% |
| Championships | 68 | 11 |
| Avg Decision | 3.9s | 3.2s |
| Budget | $5M | $20M |
| Box Office | $255M | $256M |
Where This Matchup Sits
BingeBracket tracks 57 films from the 2010s — Get Out at #9, Us is in the bottom quarter.
Among Jordan Peele's 3 films on BingeBracket, Get Out ranks #1 and Us ranks #3.
When matched against other films, Get Out can handle Nosferatu but Us can't. What one film wins comfortably, the other loses.
Get Out with 68 titles and Us with 11 — the tournament record and the head-to-head point the same direction.
Get Out earned 56.8x its budget while Us returned 12.8x. The bigger commercial overperformer also wins the head-to-head on BingeBracket.
Where to Watch
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