Get Out currently dominates Us 67–33
Peele's scalpel edges his shotgun.
The Verdict Director's Cut
This matchup has 18 votes. The picture may shift as more people weigh in.
Peele built Get Out around a single escalating metaphor — appropriation made literal, inescapable, and terrifying in a way that doesn’t require explanation. The teacup. The deer. The liberal smile that curdles. Us doesn’t have an equivalent compression. Nyong’o’s dual performance is extraordinary, the Tethered are genuinely unsettling, and the escalation is relentless. But the film’s mythology keeps opening doors it can’t close, and that openness works against it in a format that rewards conviction. Voters are picking the Peele film they can hold in one hand over the one that keeps slipping through their fingers. The scalpel cuts cleaner than the shotgun.
The Numbers
| Get Out | Us | |
|---|---|---|
| Head-to-Head | 67% | 33% |
| Overall Win Rate | 58% | 33% |
| Championships | 50 | 10 |
| Budget | $5M | $20M |
| Box Office | $255M | $256M |
Where This Matchup Sits
BingeBracket tracks 47 films from the 2010s — Get Out at #8, Us is in the bottom quarter.
Among Jordan Peele's 3 films on BingeBracket, Get Out ranks #1 and Us ranks #3.
When matched against other films, Get Out can handle The Witch but Us can't. What one film wins comfortably, the other loses.
Get Out with 50 titles and Us with 10 — the tournament record and the head-to-head point the same direction.
Get Out earned 56.8x its budget while Us returned 12.8x. The bigger commercial overperformer also wins the head-to-head on BingeBracket.
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