Get Out currently beats Midsommar 64–36
Tight construction edges sprawling atmosphere.
The Verdict Neck and Neck
This matchup has 11 votes. The picture may shift as more people weigh in.
Peele cuts like a comedian — the timing of each reveal in Get Out is calibrated to land with the rhythm of a punchline, and the precision produces a specific kind of horror where the audience is always half a step behind the film’s logic. Aster’s Midsommar operates on the opposite principle: long takes, wide frames, rituals that unfold at the pace of ceremony rather than narrative. Both approaches are legitimate formal achievements. At 64 to 36, the comedian’s timing narrowly edges the ceremonial pacing. Get Out’s efficiency produces more concentrated dread. Midsommar’s patience produces more ambient unease. Concentration wins the matchup.
The Numbers
| Get Out | Midsommar | |
|---|---|---|
| Head-to-Head | 64% | 36% |
| Overall Win Rate | 57% | 54% |
| Championships | 41 | 22 |
| Budget | $5M | $9M |
| Box Office | $255M | $48M |
Where This Matchup Sits
BingeBracket has 34 films from the 2010s. Get Out sits at #6 and Midsommar at #9.
Against other opponents on BingeBracket, the picture shifts. Get Out beats Nosferatu, but Midsommar loses to it — the same opponent produces opposite results.
The championship record tells the same story: Get Out has 41 tournament wins to Midsommar's 22. The pedigree gap matches the head-to-head gap.
Get Out grossed $255M to Midsommar's $48M. On BingeBracket, the result runs the same direction — commercial success and bracket preference align here.
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