Get Out currently beats Midsommar 60–40
Tight construction edges sprawling atmosphere.
The Verdict
This matchup has 15 votes. The picture may shift as more people weigh in.
Peele cuts like a comedian — the timing of each reveal in Get Out is calibrated to land with the rhythm of a punchline, and the precision produces a specific kind of horror where the audience is always half a step behind the film’s logic. Aster’s Midsommar operates on the opposite principle: long takes, wide frames, rituals that unfold at the pace of ceremony rather than narrative. Both approaches are legitimate formal achievements. the comedian’s timing narrowly edges the ceremonial pacing. Get Out’s efficiency produces more concentrated dread. Midsommar’s patience produces more ambient unease. Concentration wins the matchup.
The Numbers
| Get Out | Midsommar | |
|---|---|---|
| Head-to-Head | 60% | 40% |
| Overall Win Rate | 58% | 54% |
| Championships | 50 | 25 |
| Budget | $5M | $9M |
| Box Office | $255M | $48M |
Where This Matchup Sits
In the 2010s on BingeBracket: Get Out at #10 and Midsommar is in the upper half, out of 47 films.
Against other opponents on BingeBracket, the picture shifts. Get Out beats Nosferatu, but Midsommar loses to it — the same opponent produces opposite results.
Get Out grossed $255M to Midsommar's $48M. On BingeBracket, the result runs the same direction — commercial success and bracket preference align here.
Choosing Get Out takes 1.1s on average. Choosing Midsommar takes 11.4s. That gap suggests they're doing different things for their voters.
Think Midsommar deserves better?
You're in the 40%.
Play the bracket these votes came from. Your pick shifts the result.
Where to Watch
Availability may vary by region.
Want to pit Get Out against something else?
Build your own bracket with any films you want.