Get Out currently dominates The Witch 87–13
Get Out’s cultural vocabulary buries The Witch’s period dread.
The Verdict Neck and Neck
This matchup has 15 votes. The picture may shift as more people weigh in.
Get Out is dominating a film critics adore, and the margin reveals something about how horror competes in a popular vote. The Witch is formally extraordinary — Eggers’s period accuracy, the mounting supernatural ambiguity, the family’s collapse under the weight of belief. But it asks its audience to meet it in the seventeenth century and stay there. Peele’s film meets its audience where they already live: the dinner party, the police stop, the smile that means something other than welcome. Every voter has encountered the thing Get Out is about. Not every voter has sat in a Puritan clearing and felt the woods watching. Shared recognition at this scale produces margins this wide.
The Numbers
| The Witch | Get Out | |
|---|---|---|
| Head-to-Head | 13% | 87% |
| Overall Win Rate | 55% | 58% |
| Championships | 25 | 49 |
| Budget | $4M | $5M |
| Box Office | $40M | $255M |
Where This Matchup Sits
BingeBracket tracks 40 films from the 2010s — The Witch is in the upper half, Get Out at #8.
When facing other films, both run into the same wall: Hereditary beats them both on BingeBracket, regardless of how they perform against each other.
87% is the kind of margin where the conversation shifts from "who wins" to "why isn't it closer."
Get Out with 49 titles and The Witch with 25 — the tournament record and the head-to-head point the same direction.
Think The Witch deserves better?
You're in the 13%.
Play the bracket these votes came from. Your pick shifts the result.
Where to Watch
Availability may vary by region.
Want to pit Get Out against something else?
Build your own bracket with any films you want.