Nope currently beats The Witch 56–44
Peele's spectacle argument edges Eggers' period reconstruction.
Who do you think should win?
The Verdict
Nope contains a set piece where spectacle itself becomes the horror — an audience of spectators encountering something they paid to see and discovering too late what that transaction costs. Peele stages it as a critique of looking that implicates the film’s own audience. The Witch is a more immersive experience. Its seventeenth-century world is so convincing that the horror feels historical rather than authored. But immersion and implication are different achievements, and when Nope leads, it’s because Peele’s argument about looking does something the Puritans’ story can’t: it turns the camera on the viewer.
The Numbers
| The Witch | Nope | |
|---|---|---|
| Head-to-Head | 44% | 56% |
| Overall Win Rate | 53% | 41% |
| Championships | 36 | 24 |
| Avg Decision | 2.9s | 3.0s |
| Budget | $4M | $68M |
| Box Office | $40M | $172M |
The Witch sits at 53% overall on BingeBracket, Nope at 41%. Everywhere else on the platform, The Witch is the stronger film — except here.
Where This Matchup Sits
Neither leads nor trails Horror on BingeBracket — both sit in the middle of 42 films.
Against other opponents on BingeBracket, both films share a weakness: neither can beat Get Out.
Nope earned $172M on a $68M budget while The Witch made $40M on $4M. The bracket result tracks the money — Nope wins both.
Where to Watch
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